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Devil in the Details | José Dolores López | UNIQLO ARTSPEAKS

Mariana Salem, assistant director of Special Programming and Events, takes a close look at José Dolores López’s "Adam and Eve and the Serpent" (c....

Emory Douglas: Art and Revolution | Live Q&A with Emory Douglas, Akili Tommasino, and Esther Adler

Tune in on Thursday, October 14, at 7:00 p.m. EDT for a live Q&A with Esther Adler, Akili Tommasino, artist Emory Douglas. Subscribe for...

Entering "Christina's World" | Andrew Wyeth | UNIQLO ARTSPEAKS

Annie Leist, associate educator in Community, Access, and Teen Programs, discusses Andrew Wyeth’s depiction of a person with a disability in "Christina’s World"—and asks...

Take a road trip in the Airstream Bambi | UNIQLO ARTSPEAKS

Hannah Hoose, coordinator in the Department of Collection and Exhibition Information, takes a look inside the Airstream Bambi Travel Trailer and gets transported back...

An accidental portrait of America | UNIQLO ARTSPEAKS

Hannah Morse, curatorial intern in the Department of Photography, looks at a selection of untitled photo booth images from c. 1938–60 and reflects on...

The momentous simplicity of Barnett Newman | UNIQLO ARTSPEAKS

Video producer Sean Yetter recalls his first day on the job—and the first time he fell under the spell of Barnett Newman’s painting "Vir...

Horror-film imagery makes an arresting portrait | Francis Bacon | UNIQLO ARTSPEAKS

Jason Persse, editorial manager on the Creative Team, talks about Francis Bacon’s 1946 "Painting," from its horror-film imagery to its arresting portrait of the...

Her name was Rita, and this is her car | Volkswagen Beetle | UNIQLO ARTSPEAKS

Paul Galloway, collection specialist in the Department of Architecture and Design, talks about the Volkswagen Beetle—unexpected design success, countercultural icon, and a personal symbol...

The Infernal Cave (1905) | MoMA FILM VAULT SUMMER CAMP

Acquired by the Museum in 1935, this inventive stencil-colored trick film has not been seen in its original colored version for many years. In...
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