Continue to explore the multi-layered techniques of Willem de Kooning with Corey D’Augustine in the second part of How to Paint like Willem de Kooning | IN THE STUDIO.
Click here for Part 1 of How to Paint like Willem de Kooning | IN THE STUDIO: https://youtu.be/r7sJ_WNiSrs
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Over the course of a career lasting nearly seven decades, de Kooning would work through a wide array of styles, eventually cementing himself as a crucial link from New York School painting to European modernism.
Physical labor and countless revisions were constants in his work, which ranged from abstraction to figuration, often merging the two. “I never was interested in how to make a good painting…,” he once said. “I didn’t work on it with the idea of perfection, but to see how far one could go…”
The female figure was an especially fertile subject for the artist. His paintings of women were among his most controversial works during his lifetime and continue to be debated today.
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Featuring Corey D’Augustine, Educator and Independent Conservator.
The comments and opinions expressed in this video are those of the speaker alone, and do not represent the views of The Museum of Modern Art, its personnel, or any artist.
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