Black and white Xerox posters were a major part of the 1970s counterculture aesthetic. Artist and graphic designer Marlene Weisman guest hosts a special Club 57 takeover edition of IN THE STUDIO and demonstrates how to transfer the ink from Xerox prints to a new sheet of paper to create collages, posters, and other works of art using the same pre-Photoshop technique that she used in the 1970s and ’80s.
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“Club 57: Film, Performance, and Art 1979-1983” is on view at The Museum of Modern through April 2018. The exhibition is organized by Ron Magliozzi, Curator, and Sophie Cavoulacos, Assistant Curator, Department of Film; with Ann Magnuson, guest curator. For more on Club 57 http://mo.ma/club57
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See more of Marlene’s work at http://www.marleneweisman.com/ and http://www.marleneweismandesign.com/ and on Instagram at @marleneweisman
The comments and opinions expressed in this video are those of the speaker alone, and do not represent the views of The Museum of Modern Art, its personnel, or any artist.