中国的艺术介入乡村建设已经成为当代艺术介入社会的一个新范式。它有西方参与式艺术、关系美学、社会雕塑的脉络，也有接续中国传统礼俗文化的脉络。是一个以艺术为媒介和方法，解决中国社会问题和现代化转型困境的实践。20 年的实践积累和理论构建，已经让艺术乡建已经形成了一门新的学科。希望通过这次分享，让更多人了解到中国当代艺术的转向和乡村家园共同体的建设。
The artistic intervention in rural construction in China has emerged as a new paradigm for contemporary art engaging with society. It draws on the lineage of Western participatory art, relational aesthetics and social sculpture, while also inheriting China’s traditional ritual and custom culture. As a practice that takes art as its medium and method, it addresses social issues and dilemmas of modern transformation in China. Two decades of practical accumulation and theoretical construction have established rural reconstruction by arts as a new academic discipline. It is hoped that this presentation will help more people understand the turn of Chinese contemporary art and the construction of rural homeland communities.
分享1 潘铭聪 从第三条道路到共同的底线——渠岩的社会实践与理论生产
Presentation 1 | Pan Mingcong
From the Third Way to a Common Bottom Line — Qu Yan’s Social Practice and Theoretical Production
分享2 陈爱梅 再造地方：艺术介入乡村的实践路径与原则
Presentation 2 | Chen Aimei
Re-making Place: Practical Paths and Principles of Artistic Intervention in Rural Areas
Pan Mingcong, Research Assistant of the Institute of Rural Arts and Construction, Guangzhou Academy of Fine Arts. He holds a master’s degree from Guangdong University of Technology. He has long participated in on-site rural reconstruction by arts practices including Qingtian Village in Guangdong Province and the Zhouqian Art Commune in northern Guangdong, engaging in field research, project documentation and the planning of rural public cultural spaces. His academic inquiries center on Qu Yan’s theories of rural reconstruction by arts, homeland preservation and issues concerning sustainable rural development.
Aimei Chen is a PhD candidate at the College of Media and International Culture, Zhejiang University. Her research focuses on art-led rural construction, the reconstruction of rural culture, and place-making. She has conducted extensive fieldwork at multiple sites of rural art practice in China. Her doctoral dissertation, The Polyphony of the Soil: Aesthetic Reconfiguration through Contemporary Art Practices in Rural China, explores the aesthetic mechanisms and transformation of place associated with artistic interventions in rural communities, with particular attention to multiple social actors, place-based experience, and the formation of rural cultural identities.
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