After being introduced, Elizabeth Diller presents images and words on the theme of the body, cuts, dissection, prosthetics, and hinges.
She discusses in detail some of her work with Ricardo Scofidio, each project addressing “the evaluation and re-evaluation of the body’s relationship with architecture”:
•“A Delay in Glass, or, The Rotary Notary and His Hot Plate” (1987)
•“The withDrawing Room” (1987)
•“para-site” (1989)
•“Slow House” (1989)
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