Horace Pippin’s Mr. Prejudice

Horace Pippin’s Mr. Prejudice

Horace Pippin, Mr. Prejudice, 1943, oil on canvas, 46 x 35.9 cm (Philadelphia Museum of Art)A conversation with Dr. Jessica T. Smith, Susan Gray...
A mine disaster and those left behind: Ben Shahn’s Miner’s Wives

A mine disaster and those left behind: Ben Shahn’s Miner’s Wives

Ben Shahn, Miners' Wives, c. 1948, tempera on panel, 121.9 x 91.4 cm (The Philadelphia Museum of Art) © Estate of Ben ShahnA conversation...
A brutal history told for a modern city, Diego Rivera’s Sugar Cane

A brutal history told for a modern city, Diego Rivera’s Sugar Cane

José Diego María Rivera, Sugar Cane, 1931, fresco, 145.1 × 239.1 cm © 2014 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico,...
Cheap Thrills: Coney Island during the Great Depression

Cheap Thrills: Coney Island during the Great Depression

Reginald Marsh, Wooden Horses, 1936, tempera on board, 61 x 101.6 cm (Wadsworth Atheneum Museum of Art)A Seeing America videoA conversation with Erin Monroe,...
Reginald Marsh, Wooden Horses

Reginald Marsh, Wooden Horses

Reginald Marsh, Wooden Horses, 1936, tempera on board, 61 x 101.6 cm (Wadsworth Atheneum Museum of Art)Speakers: Erin Monroe, Robert H. Schutz, Jr., Associate...
Premonition or memory?: George Grosz’s Remembering

Premonition or memory?: George Grosz’s Remembering

George Grosz, Remembering, 1937, oil on canvas, 71.2 x 91.76 cm (Minneapolis Institute of Art, © Estate of George Grosz)A Seeing America videoDr. Robert...
An artifact of racism: a Connecticut Klan robe

An artifact of racism: a Connecticut Klan robe

Ku Klux Klan robe, c. 1928 (The Amistad Center for Art & Culture at the Wadsworth Atheneum Museum of Art, Hartford)A Seeing America videoSpeakers:...
Looking for work during World War II: Bearden’s Factory Workers

Looking for work during World War II: Bearden’s Factory Workers

Romare Bearden, Factory Workers, 1942, gouache and casein on brown Kraft paper mounted on board, 94.93 × 73.03 cm (Minneapolis Institute of Art)A...
A Harlem street scene by Jacob Lawrence, Ambulance Call

A Harlem street scene by Jacob Lawrence, Ambulance Call

Jacob Lawrence, Ambulance Call, 1948, tempera on board, 61 x 50.8 cm (Crystal Bridges Museum of American Art) Speakers: Jennifer Padgett, assistant curator, Crystal Bridges...
From wire to weightlessness: Ruth Asawa, Untitled

From wire to weightlessness: Ruth Asawa, Untitled

Ruth Asawa, Untitled, c. 1958, iron wire, 219.7 × 81.3 × 81.3 cm Crystal Bridges Museum of American Art. Speakers: Allison Glenn and Beth...