Joe Day talks with Eric Owen Moss about his new book Corrections & Collections: Architectures for Art and Crime, an investigation of two building types focused on choreographing vision–art museums and prisons. The first half of their conversation is focused on museums, the meaning of transgression, and the dialogue between architecture and art. The second half focuses on prisons, commerce-centered urbanism, the durability of the the museum- and prison-anchored urbanism Day discusses in his book.
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