Curated by Hila Peleg, the second exhibition in this series will reflect on Gordon Matta-Clark’s filmmaking process through a selection of outtakes, many largely unseen until now, drawn from Matta-Clark’s documentation of three of his major building cuts (Splitting, Day’s End, and Conical Intersect) in order to reveal the broader social and spatial context of these projects.
To learn more on this series: https://www.cca.qc.ca/en/events/67324/rough-cuts-and-outtakes-gordon-matta-clark-selected-by-hila-peleg
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