RAIC Shortlist – Bahá’í Temple of South America
Hariri Pontarini Architects’ Bahá’í Temple of South America is one of three finalists for the 2019 RAIC International Prize for Transformative Architecture
Toronto, Canada, 2019-06-04 –
May 30, 2019 — The Bahá‘í Temple of South America in Chile, designed by Siamak Hariri of Hariri Pontarini Architects, has been shortlisted for The Royal Architectural Institute of Canada (RAIC) International Prize. Awarded every two years, this world-renowned prize celebrates architecture from around the globe that transforms society and promotes justice, respect, equality, and inclusiveness. The RAIC received submissions from 12 countries across six contents.
Hariri Pontarini Architect’s is the first Canadian firm to make the shortlist for this prestigious award. The winner will be announced at the RAIC gala in Toronto, Canada on October 25, 2019.
“The result is timeless and inspiring, a building that uses a language of space and light, form and materials, to express an interpretation of Bahá‘í philosophy and teaching that becomes universally accessible as a shared spiritual and emotional experience.” – RAIC International Prize, Jury Comment
At the heart of this building there is a belief and an aspiration: that even now, in the fractured 21st-century, we can respond to a human yearning to come together, to connect to one another, and to something that moves the spirit. The Temple sits on the edge of Santiago and nestles against the spine of the Andes mountains. It was commissioned by the Bahá‘í House of Justice and is the eighth and final continental temple for the Bahá‘í Faith. But, central to its brief and its design is that it be a place of welcome, community and meaning for everyone.
The Temple is a human place, universally appealing
in its form and at one with its landscape. Distilled to its very essence, the Temple is a building that seeks
to come alive with light – embodied light. Composed of nine identical, gracefully torqued wings bound to the oculus at the top, creating a weightless movement around a grounded centre, the Temple is light but also rooted and has a sense of permanence. A circular structure with nine sides, nine entrances open, figuratively and symbolically, to everyone.
In contrast to the Temple’s subtlety on the
landscape, once inside the building soars along
with the spirit of those who enter. The voluminous interior is alive with soft light that filters through
the cast glass exterior and translucent marble
interior of the wings, bathing visitors in warmth.
The arched lines of the supple wooden benches invite
people to come together, not for a congregation,
but to congregate; to sit next to one another in quiet contemplation, sharing in the communal act of being. The alcoved mezzanine above allows those seeking solitude to tuck into themselves while not losing connectedness with the community below.
Given the intimacy and delicacy of the Temple, it
is easy to overlook the inherent toughness of the structure and engineering required for the building to weather the rugged climate in this earthquake-prone region for 400 years to come. The process of achieving this was quite extraordinary, involving the hands of many; artisans, engineers and craftsmen from Canada, the United States, Europe and Chile, and a team of countless global volunteers. The process, like the building itself, drawing people together in pursuit of a common goal.
Expressing an unwavering belief in inclusion, the Temple has become the embodiment of a human aspiration for commonality within diversity. Since opening in the fall of 2016, the Temple has quickly developed into a major attractor in South America, welcoming over 1.4 million visitors, and sees up to 36,000 people on busy weekends. Amongst these, many Mapuche, the indigenous peoples of Chile, who made the trek to the Temple their first journey away from their village. It holds an important place within the Chilean social landscape, hosting community clubs, youth outreach programs and children’s activities in partnership with the public schools. The Temple is a timeless place where people feel at home, able to hold their beliefs amongst others.
Lead Design Architect: Siamak Hariri, Partner-In-Charge
Project Manager: Doron MeinhardProject Team: Justin Huang Ford, Michael Boxer, George Simionopoulos, Tiago Masrour Tahirih Viveros, Jin-Yi McMillen, Jaegap Chung, Adriana Balen, Mehrdad Tavakkolian, Donald Peters, Jimmy Farrington, John Cook
Architects: Hariri Pontarini Architects
Local Architect: Benkal y Larrain Arquitectos
Superstructure and Cladding: Gartner Steel and Glass GmbH
Glass Cladding: Jeff Goodman Studio and CGD Glass
Stone Fabrication: EDM
Landscape Architect: Juan Grimm
Structural Consultant: Simpson Gumpertz & Heger, Halcrow Yolles, EXP, Patricio Bertholet M.
Mechanical & Electrical Consultant: MMM Group
Plumbing Consultant: Videla & Asociados
HVAC Consultant: The OPS Group
Lighting Consultant: Limari Lighting Design Ltda., Isometrix
Acoustics: Verónica Wulf
Way-Finding Graphics: Entro Communications
About the Architect
Siamak Hariri is a founding Partner of Hariri Pontarini Architects. His portfolio of nationally and internationally recognized buildings has won over 70 awards, including two Governor General’s Medal in Architecture and, with his Partner David Pontarini, the 2013 Royal Architectural Institute of Canada’s Architectural Firm Award. In 2016, he gave a TED talk entitled How do you build a sacred space that has garnered over 1.3 million views and was celebrated as one of Canada’s Artists who mattered most by the Globe and Mail.
One of Siamak’s earliest projects, the Canadian headquarters of McKinsey & Company, is the youngest building to ever receive City of Toronto heritage land-mark designation. Since then, he has established a career in creating institutional and cultural projects of international acclaim, including the Governor General’s medal winning Schulich School of Business for York University and the Richard Ivey School of Business at Western University that has been recognized with the 2016 Chicago Athenaeum International Architecture Award, the American Institute of Architects’ Educational Facility Design Award of Excellence, and the Lieutenant Governor of Ontario’s Award for Design Excellence in Architecture.
In the fall of 2016, Siamak completed a project he began in 2003, the Bahá’í Temple of South America, located in Santiago, Chile, the last of the Bahá’í continental temples. Won through an international call and a rigorous design competition (185 entries from 80 countries) the Temple has quickly become a continental landmark and attractor at the foothill of the Andes. It has won many of the top architecture awards including the AIA Honors Award, the OAA Design Excellence Award, the RAIC Innovation Award, the Canadian Architect’s Award of Excellence; the International Property Awards, and was profiled by National Geographic Magazine. The Temple has welcomed 1.4 million visitors since the opening and sees upwards of 36,000 people on some weekends.
Born in Bonn, Germany, Siamak was educated at the University of Waterloo and Yale University where he completed a Master of Architecture. He has taught at the Daniels Faculty of Architecture, Landscape and Design at the University of Toronto, as well as been a lecturer and guest critic for numerous organizations across North America. Siamak sits on the board of the Design Exchange and the Rosehill Vision Committee and sat on the advisory board of the Royal Ontario Museum’s Contemporary Culture, the Toronto Community Foundation and was a member of Waterfront Toronto’s Design Review Panel from 2005-2010. He has taught studios at the Daniels Faculty of Architecture, Landscape and Design at the University of Toronto and has been a lecturer, guest critic and jury member for numerous organizations across North America and Europe.
Hariri Pontarini Architects Firm Profile
Hariri Pontarini Architects is a renowned Canadian firm devoted to producing work of lasting value. Siamak Hariri and David Pontarini founded the Toronto office in 1994 motivated by a shared commitment to design quality. Today their 130-person practice offers its clients in-depth partner involvement through all stages of design and the breadth of building experience and technical expertise to rigorously oversee construction. HPA believes solid relationships result in strong projects. They take pride in forging lasting collaborations with all involved in the design, development and construction process: clients, consultants, fabricators, policymakers, construction workers, colleagues. With each commission, HPA assumes full responsibility to materialize a design vision inspiring to its occupants, attuned to its setting and respectful of stakeholder needs, client budget and timeline. Every project in their diversely scaled, award-winning portfolio reflects the HPA mission to craft architectural and urban solutions that exceed expectations, without excess.
We are known for designing projects of exceptional quality and timeless detailing. Over the past 25 years, our work has garnered the firm over 75 national and international awards, including being the recipient of the Royal Architectural Institute of Canada’s 2013 Architectural Firm Award. Most recently, we received the Governor General’s Medal in Architecture for Casey House.
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Sebastián Wilson León
Left to Right: Guy Wenborne, Hariri Pontarini Architects, Sebastián Wilson León, Guy Wenborne, doublespace photography
Sebastián Wilson León
Hariri Pontarini Architects
Sebastián Wilson León
Left: Sebastián Wilson León, Right: doublespace photography
Hariri Pontarini Architects
Sebastián Wilson León