The Shape of a Circle in the Mind of a Fish: The Understory of the Understory
5th & 6th December 2020
Online at themind.fish
The Understory of the Understory is the fourth instalment in an ongoing series of festivals on consciousness and intelligence across species, part of the Serpentine’s General Ecology project. With The Understory of the Understory, we go to that place which is simultaneously ground, land, soil and Earth, that is to say, the place where diverse species come together, collaborate, communicate and constitute one another but also where complex systems of redistribution of toxicity, logics of extraction and geopolitics meet.
Karrabing Film Collective
Just because you can’t see it… (2018, 2’36”)
Produced for Dazibao, Montréal, “Just because you can’t see it…” is a serious, sometimes humorous, reflection on Karrabing understandings of the ancestral present –that their totems and ancestors are not in the past, but are an ongoing relationship they are obligated to maintain for their own health and wellbeing and that of their more-than-human lands, seas and worlds.
Karrabing Film Collective is an Indigenous media group who use filmmaking to interrogate the conditions of inequality for Aboriginal people in the Northern Territory and retain connections to land and their ancestors. Composed of some thirty extended family members whose ancestral lands stretch across saltwaters and inlands and the Italian Alps, Karrabing together create films using an “improvisational realism” that opens a space beyond binaries of the fictional and the documentary, the past and the present. Meaning “low tide” in the Emmiyengal language, karrabing refers to a form of collectivity outside of government-imposed strictures of clanship or land ownership. Shot on handheld cameras and phones, most of Karrabing’s films dramatise and satirise the daily scenarios and obstacles that collective members face in their various interactions with corporate and state entities. Composing webs of nonlinear narratives that touch on cultural memory, place, and ancestry by freely jumping in time and place, Karrabing exposes and intervenes into the longstanding facets of colonial violence that impact members directly, such as environmental devastation, land restrictions, and economic exploitation.
@EPovine
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