BEAUTIFIED CHINA II
May 2018
The series continues with a focus on China’s ‘other’ cities. Iconic structures are spread across the country, Beautifed China II continues to capture the most striking looking buildings from a minimalist perspective.
Canton TowerArchitect: Information Based ArchitecturePlace: GuangzhouBuilding Completed: 2010
Hongkou SOHOArchitect: Kengo KumaPlace: ShanghaiBuilding Completed: 2015
Harbin Grand TheaterArchitect: MAD ArchitectsPlace: HarbinBuilding Completed: 2015
3 CubesArchitect: GMP ArchitektenPlace: ShanghaiBuilding Completed: 2015
Guotai Arts CenterArchitect: China ArchitectureDesign GroudPlace: ChongqingBuilding Completed: 2013
Where Beautified China I left offChina’s flamboyant building boom started some 12 years ago. As China was gearing up to the 2008 Beijing Olympics and the 2010 Shanghai World Expo, a wave of iconic architecture started fooding the major Chinese cities. Western starchitects, and their eastern counterparts, started proposing (and quite a bit of them got realized) iconic structures for Beijing, Shanghai and other cities across the country. This set the stage for a new face for the country. The Olympics and Expo passed by successfully and China kept on building, bolder, more daring till 2012, when chairman Xi called for a stop. Or rather for a more refined ‘iconic’ architecture. Looking back at the past decade, you can ask yourself what came from all those proposals. That was the premise for Beautifed China I (published in 2017). Now, with this 2nd series, Beautifed China II, there is a deeper look at what happened in those ‘other’ cities spread across the mainland. Beautifed China II presents a series of 20 minimalist photos, taken over the past 8 years, across 12 cities, highlighting China’s iconic architecture building boom.
Chongqing Grand TheaterArchitect: GMP ArchitektenPlace: ChongqingBuilding Completed: 2009
Nanning Grand TheaterArchitect: GMP ArchitektenPlace: NanningBuilding Completed: 2018
Sliced Porosity BlockArchitect: Steven Holl ArchitectsPlace: ChengduBuilding Completed: 2012
National Aquatics CenterArchitect: PTW ArchitectsPlace: BeijingBuilding Completed: 2008
Focus on China’s ‘other’ citiesThere was a time when Beijing or Shanghai were the major entry points to China. As time progressed China opened up, revealing the scale and depth of this enormous country. The chance that Beijing or Shanghai will be your first impression of China are getting less and less. That opportunity is taken away by other Chinese cities. It feels like, every week there is a new direct flight route announced connecting US/Europe non-stop with 1st and 2nd tier cities. And that makes total sense as those 2nd tier cities citizens become more affluent and far outnumber citizens of western cities. Those cities needed an identity, a face, a representation, a trademark. Can iconic architecture be all of that? As those cities grew, local governments try to increase living standards. Theaters, stadiums, school and office towers were planned and realized. Architecture does contribute to raising living standards right?Throughout the years in China, I had the opportunity to visit many cities across the country. When first setting out east in 2010, I only knew a handful of Chinese cities (can I generalize and hope that I wasn’t the only one back then?) nowadays people are more familiar and can pinpoint a variety of cities on the Chinese map. Has architecture played a role in establishing those cities on the world map? As I travelled to the 1st, 2nd and 3rd tier cities, I captured significant shapes and structures that form the main body of Beautified China II. The series of photos highlight iconic architecture in the ‘other’ Chinese cities. Those cities are: Chongqing (2), Guangzhou (2), Nanning (1), Harbin (1), Chengdu (1), Beijing (1), Beihai (1), Tianjin (1), Ningbo (1), Hong Kong (1), Suzhou (1), Shanghai (7),
Tianjin ExploratoriumArchitect: Bernard TschumiPlace: TianjinBuilding Completed: 2018
Guangdong MuseumArchitect: Rocco DesignPlace: GuangzhouBuilding Completed: 2010
Xinzhou MansionArchitect: GMP ArchitektenPlace: ShanghaiBuilding Completed: 2018
Ningbo GatewayArchitect: RSH+PPlace: NingboBuilding Completed: 2017
Xiqu TheaterArchitect: Bing TomPlace: Hong KongBuilding Completed: 2018
Continued FlamboyanceThe photoseries highlights iconic architecture designed by this worlds ‘starchitects’. The iconic structures are a very particular style that continue to receive a lot of discussion in the architecture media news cycle. Either positive or negative. Positive because they standout, can establish a new district or revitalize another . Negative for the same reasons, they standout and don’t tend to blend fully into their surroundings, they establish a new district and with that immediately drive up the office and residential price tags. This is a style not suited for everywhere, however is it the right style for China? After-all, appearance is key in this part of the world. Nowadays cities tend to step slightly away from its pure icons for the sake of being icons. Having lived and practiced in China for the past 8 years, there is a current trend to preserve the old and regenerate the old. 2 firms doing great regenerating work in China are Atelier Deshaus and OMA. Can we end the era of flamboyant buildings and embrace the refined heritage again?
Sky SOHOArchitect: Zaha Hadid ArchitectsPlace: ShanghaiBuilding Completed: 2014
Natural History MuseumArchitect: Perkins + WillPlace: ShanghaiBuilding Completed: 2015
The Gate to the EastArchitect: RMJMPlace: SuzhouBuilding Completed: 2015
Museum of Modern ArtArchitect: Atelier DeshausPlace: ShanghaiBuilding Completed: 2017
Hongqiao FlowerArchitect: MVRDVPlace: ShanghaiBuilding Completed: 2015
A Game Of Shapes, Colours and PatternsShape, colour and patterns, the elements every architect has to deal with daily, take the foreground in this photoseries. The 20 photographs show strong contrasts between forms and shapes, but perhaps even more between different cities. Can we dissect different styles suitable for particular cities? Structures jump out because of a strong use of colour (Guotai Arts Center) , its fluid shapes (Harbin Grand Theater) , its symbolism (Gate to the East) or its resemblance (Fake Hills). Each design has particular factors that defines its language and allows you to create memories with the building.Each building is taken out of context, all that’s left is it pure shape. This allows me, as an architect, to study and better understand the design that make the building the way it is. Beautified China is an ongoing process, a collection and a status update of China’s architecture. Beautified China for me, encapsulates my career both as an architect and photographer.
Beautified China II by Kris Provoost is licensed under CC BY-NC-ND 4.0
