Dean Amale Andraos speaks with Momoyo Kaijima who co-founded Atelier Bow-Wow with Yoshiharu Tsukamoto in 1992. The Tokyo-based firm is well known for it’s light, multifunctional design aesthetic combining a focus on urban conditions with the relationship between space and its inhabitants. Kaijima and Tsukamoto are teaching an Advanced Studio at Columbia GSAPP during the Spring 2017 semester, and Kaijima delivered a public lecture at the School in April 2017.
In this 9th episode of GSAPP Conversations, Kaijima talks about the relationship between research and practice as it is made visible in the books they’ve published (including Made in Tokyo), the difficulty and rewards of working in the Fukushima area following the 2011 tsunami and nuclear accident, and her interest in working across generations to develop a deeper understanding of the relationship between buildings and their inhabitants.
“Architecture itself is very static and hard, but it is changed and transformed to be more active by the surroundings. … How buildings are animated for the people and by the people – this kind of research is really, really important to making a kind of critique for today’s method of architectural design.”
Source by Columbia GSAPP
In a discipline reformulating the role of the architect, the question of technique has acquired a new priority. Techniques move with unexpected fluidity, circulating between individuals and collectives, calling the influence of each into question. Paradoxical and ambiguous, techniques simultaneously negate and open possibilities. A technique can be a subversive strategy, resisting apparently objective parameters, or an appropriative gaze, reconstituting the world as an object of disciplinary knowledge. This symposium, the second event of the series "All that is solid...", interrogates the collectivity, authorship, effects, and deployment of contemporary design techniques. With Tom Emerson (6a), Kersten Geers (Office), Florian Idenburg (SO – IL), and Momoyo Kaijima (Atelier Bow-Wow). Moderated by Enrique Walker, associate professor of architecture at Columbia University GSAPP, with responses by Silvia Benedito, assistant professor of landscape architecture, and Antoine Picon, G. Ware Travelstead Professor of the History of Architecture and Technology.
Lecture date: 2005-01-19
Atelier Bow-Wow is a Tokyo-based architecture firm, founded in 1992 by Yoshiharu Tsukamoto and Momoyo Kajima. The firm is well known for its domestic and cultural architecture and its research exploring the urban conditions of micro, ad hoc architecture.
Yoshiharu Tsukamoto and Momoyo Kaijima established Atelier Bow-Wow in 1992 in Tokyo, researching and designing small hybrid architectural structures of a type that they have defined as pet architecture. Their Mini House won a Tokyo Architect Societys Gold Prize in 1999. Their publication Pet Architecture Guide Book encourages a re-appreciation of Tokyo's small buildings and neglected urban spaces, the kind often overlooked (in both senses) by contemporary architectural culture. It follows their influential book Made in Tokyo which documented what they termed the real city, those anonymous buildings which give a priority to stubborn honesty in response to their surroundings and programmatic requirements, without insisting on architectural aesthetic and form.
Tsukamoto is an Associate Professor at the Tokyo Institute of Technology. Kaijima is Assistant Professor at the University of Tsukuba Art and Design School. Both were recently Visiting Professors at Harvard GSD.
Introduced by Shin Egashira.
The Spring 2017 Open House features Tokyo-based architecture firm, Atelier Bow-Wow. Founded in 1992 by Momoyo Kajima and Yoshiharu Tsukamoto. The internationally recognized firm has emerged as one of Japan's leading practices. Known for their light, multifunctional design aesthetic, Atelier Bow Wow couples a focus on the urban condition and the relationship between space and inhabitant to create a modest richness in each project.
Organized by Columbia GSAPP.
Momoyo Kaijima and Yoshiharu Tsukamoto (Atelier Bow-Wow) interviewed by Hans Ulrich Obrist at the Venice Architecture Biennale 2010. Produced by the Institute of the 21st Century with support from ForYourArt, The Kayne Foundation, Brenda R. Potter, Catharine and Jeffrey Soros
Yoshiharu Tsukamoto founded Atelier Bow-Wow in Tokyo with Momoyo Kaijima. He presents a Mellon Lecture on his concept of Architectural Behavior, which investigates the physical responses to natural elements such as light, air, heat, wind, water, human behavior related to custom, and the way in which buildings relate to the city and their surroundings.
Yoshiharu Tsukamoto, qui a fondé l'Atelier Bow-Wow à Tokyo avec Momoyo Kaijima, présente une conférence Mellon sur sa notion de comportement architectural, dans laquelle il examine les réponses physiques apportées aux éléments naturels tels que la lumière, l'air, la chaleur, le vent, l'eau, les comportements humains liés aux coutumes et les liens qui unissent les édifices à la ville et aux alentours.
Recorded: November 3, 2010
In this excerpt from his lecture, co-founder of Tokyo-based Atelier Bow-Wow, Yoshiharu Tsukamoto, discusses White Limousine Yatai, House & Atelier Bow-Wow, and Pony Garden. Tsukamoto explores the concept of “architectural behaviorology” in the firm’s recent and current work. “Behavior,” as defined by Tsukamoto, can include human behavior inside and outside of buildings; physical phenomena produced by different environmental elements such as light, air, heat, wind, and water; and a building’s behavior in its surroundings. “Architectural behaviorology” aims to understand the behaviors of those different elements in order to synthesize them, optimizing their performance in their specific contexts and suggesting a new idea of the “organic” in architecture.
Yoshiharu Tsukamoto co-founded Atelier Bow-Wow in 1992 with his partner Momoyo Kaijima. The pair’s interest lies in diverse fields ranging from architectural design to urban research and the creation of public artworks. The practice has designed and built over 20 houses, public museums, and commercial buildings mainly in Tokyo. In recent years it has expanded its works internationally including France, Denmark, and the United States. Pet Architecture Guidebook and Made In Tokyo published in 2001 were amongst many urban research studies that lead to the experimental project “micro-public-space,” a new concept of public space, which has been exhibited across the world at events such as Biennales in Sao Paolo, Venice, Istanbul, and Liverpool.
The Architectural League’s Current Work series presents the work of significant international figures, who powerfully influence contemporary architectural practice and shape the future of the built environment.
To mark the 50th anniversary of the publication of Robert Venturi’s Complexity and Contradiction in Architecture (1966), The Museum of Modern Art and the University of Pennsylvania have co-organized a three-day symposium bringing together international scholars and architects to discuss the significance and enduring impact of this remarkable book, published by MoMA 50 years ago in association with the Graham Foundation for Advanced Studies in The Fine Arts.
Please join us for the symposium's opening conversation with:
David Brownlee and Martino Stierli
Sarah Herda, Graham Foundation
David De Long, University of Pennsylvania (moderator)
Kersten Geers, Office Kersten Geers David Van Severen, Brussels
Sam Jacob, Sam Jacob Studio, London
Momoyo Kaijima, Atelier Bow-Wow, Tokyo
Stephen Kieran, KieranTimberlake, Philadelphia
James Timberlake, KieranTimberlake, Philadelphia
Michael Meredith, MOS Architects, New York
"Complexity and Contradiction in Architecture at 50" will take place in both New York and Philadelphia. Programs on November 10 and 11 will be held at The Museum of Modern Art. Programs on November 12 will be held at the Philadelphia Museum of Art and Architectural Archives of the University of Pennsylvania. View the full schedule: http://mo.ma/2fFdW2m
#live #livestream #art #moma #museum #modernart #nyc #education #architecture
In Japan, architects are looking beyond the city in order to reinvent their practice. In this documentary series, Kayoko Ota visits some of the rural sites where this experimentation is taking place, interviewing practitioners to understand how this posturban turn might help articulate a new architecture for today.
To watch previous and next episodes : https://www.youtube.com/playlist?list=PLWywjnkq2zH9vAbdlO6Y6M0KHyvucUvlE
To learn more about this issue: https://www.cca.qc.ca/en/issues/26/what-about-the-provinces/56455/islands-and-villages
Atelier Bow-Wow (Yoshiharu Tsukamoto and Momoyo Kaijima) work with an expanded practice of architecture that integrates historical analysis and ethnography with building design and construction. Recently, they have been applying this methodology to help revive the small fishing village of Momonoura, which was devastated by the 2011 Tohoku earthquake and tsunami. In this video, Tsukamoto and Kaijima talk about how their research in the village has provided them with a new model for engaging with the city back home, and how their experience running a fishermen’s school has shifted their perception of the agency one has as an architect.
Learn more about this issue: https://www.cca.qc.ca/en/issues/26/what-about-the-provinces/56455/islands-and-villages
Learn more about the CCA: https://www.cca.qc.ca/en/